Thursday, March 1, 2012

#4 Fashion Reporter's Language


I highly recommand you the New York Times Fashion Blogs. Especially, On the Runway is very professional and provides fashion-related news and commentary, from the latest runway shows and street trends to an inside look into the design process. Cathy Horyn, the fashion critic of The Times, leads the way. She is really in the fashion bussiness world and writes blogs clearly and creatively.

Milan Goes for the Gold is one of Cathy Horyn’s blog entry which brought me to the gold and Baroque essence of  Dolce & Gabbana.  She is good at using all the descriptive terms and I definitely learned some jargons from her.


The blog entry by Cathy Horn:

Milan Goes for the Gold

Even before she grabbed her Oscar, Meryl Streep was in the groove with her gold Lanvin gown. The Milan fall shows, which ended Monday, were loaded — the Baroque essence of the Dolce & Gabbana show, but also abundant in the lace-edged skirts at Salvatore Ferragamo, the small details at Aquilano.Rimondi. Trends from Milan include graphic patterns in prints and jacquards, slim trousers, velvet, narrow jacket shoulders and multidimensional effects with colors or embroidery.

Milan designers still love those boy-girl contrasts, like those at Giorgio Armani, with great-looking pants in a muted Prince of Wales check worn with lipstick-bright jackets, and lots of splashy prints for girlish dresses and blouses with collars spilling around the neck. But the glamour quotient was really concentrated on the Oscars red carpet — il tappeto rosso, as they say here — especially with those retro, cinched-tight gowns and white dresses (my vote for the best look goes to Gwyneth Paltrow in her caped Tom Ford gown). Apart from the elegant black-and-gray velvet gowns at Bottega, the delicately finessed slips at Jil Sander and the silvery mesh columns at Versace, Milan didn’t make a bold statement for evening.


My interpretation of Cathy Horn’s language used:

1. SILHOUETTE & DESIGN

l the Baroque essence of the Dolce & Gabbana

l lace-edged skirts

l slim trousers

l great-looking pants in a muted Prince of Wales check

l lipstick-bright jackets

l girlish dresses and blouses with collars spilling around the neck

l retro, cinched-tight gowns

l caped Tom Ford gown

2. DETAILS

l graphic patterns in prints and jacquards

l narrow jacket shoulders

l multidimensional effects with embroidery

l splashy prints

l delicately finessed slips at Jil Sander

3. COLOR

l gold Lanvin gown

l loaded with gold

l multidimensional effects with colors

l white dresses

l elegant black-and-gray velvet gowns

l the silvery mesh columns at Versace

4. FABRIC

l velvet

l jacquards

5. CREATIVE “JARGON”

l boy-girl contrasts

l glamour quotient

l il tappeto rosso

1 comment:

  1. You did a great job pointing out each and every word/phrase used in the article. I also love how your background adds to the "baroque essence" you speak about!

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